literaryjournal

The Ogham Stone 2015/2016 – We’re Back!

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The Ogham Stone, the University of Limerick’s literary and visual arts journal, is getting ready for your submissions for the Spring 2016 edition.

Last year, almost seventy pieces were accepted for publication, including short stories, flash fiction, poetry and artwork. They featured alongside an introduction by Joseph O Connor, Frank McCourt Professor of Creative Writing at UL and multiple-award-winning Irish novelist, as well as a short story by Donal Ryan, author of The Spinning Heart, long-listed for the Booker Prize, Guardian First Book Award winner and recipient of the European Union Prize for Literature at the London Book Fair in 2015. The 2014 journal was an eagerly sought-after item, with a voracious demand for copies.

The Ogham Stone is quickly becoming a valuable platform for new writers and artists, local, national and international, to bring their work to a wide audience. We are particularly proud of our connections to the local creative communities in Limerick and last year featured work from writing and art projects active in the city, including The Heart of Limerick anthology and the ARTiculate competition.

This year, as well as accepting fiction, memoir, poetry, visual arts and photography, our new team are happy to announce that we will be seeking short graphic novels and creative non-fiction also.

Our call for submissions is imminent so browse our submissions guidelines here, buff and shine your offerings and watch this space for further details.

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Torn Ogham Stone Logo 1The Ogham Stone editors would like to wish you all a very Happy New Year!

We are very excited about this coming year because our second edition will be released in just a few weeks! Our design team has been working day and night to create a faboulus journal and we can’t wait to share it with all of you!

Our promotion team is finalizing the details regarding the release event in Febuary and those wishing to attend are welcome!

The realse date will be announced in the following weeks so keep an eye out on our website and if you haven’t already followed us on Twitter and Facebook, the links are below!

Twitter: https://twitter.com/theoghamstone

Facebook: https://www.facebook.com/oghamstoneul?ref=hl

Many thanks from The Ogham Stone editors and have a wonderful new year!

Theatre of the Absurd

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a_TOTA_06For most people, going to the theatre is a pleasant, culturally enlightening and stimulating experience. The majority of modern theatres are salubrious environments with comfortable seats, pleasant ambiances, and places where theatrical devotees can avail of food and beverages. People who attend the theatre are looking to be entertained and with this in mind, they take their seats comfortable in the knowledge that an entertaining night awaits them at their favourite theatre.

However, followers of theatre of the Absurd, encounter a vastly different theatrical experience from other theatre aficionados. Innovative playwrights developed absurdist theatre in the 1950s in show houses across mainland Europe with France being the foremost place of origin for the new theatrical form. Theatre of the Absurd is concerned with depictions of the human condition and in most cases; it depicts it as being meaningless. Characters appear to be lost with their lives have no sense of purpose or direction. Important theatrical devices such as time, place, language and identity break down in Absurdist theatre. In staging absurdist plays, directors use minimal staging and refuse to give their plays a meaningful plot. Babbling and incoherent dialogue characterises absurdist plays. Typically, plays of this type revolve around dreams and in many cases the characters experience nightmares of terrifying nature.

Samuel Beckett is perhaps the most well know originator of theatre of the Absurd. His play Waiting for Godot is a prime example of an absurdist play, which Beckett aired at the Theatre de Babylone, in Paris 1953. The play centres mainly on two characters Vladimir and Estragon and Beckett’s play utilises the aforementioned features of absurdist theatre such as lack of plot, timeline, place and language. Overall, there is minimal moment in the play and the primary characters Vladimir and Estragon appear to be stuck in a physical, emotional and psychological time loop. Most importantly, Beckett’s plays highlights the meaningless of life and the human condition in the wider context of international warfare, corrupt governments, consumers driven societies, dishonest societal institutions and intrusive corporate companies.

1311984754_740215_0000000000_noticia_normalTheatre of the Absurd distorts and unsettles the viewer. In the absence of recognised theatrical devices, strange events on stage unnerve the audience, as they do not know what is coming next or how to react to what the actors are doing. For Beckett, this is the exact reaction, which he wanted Waiting for Godot to create. He did not want to produce a visually pleasing and rounded realist play. Rather, Beckett wanted to jolt theatrical devotees out of their everyday lives and experiences in order to force them to confront the negative aspects of the human condition, the disturbing elements of contemporary society and the dehumanising nature of corporate businesses.

Attending an absurdist play such as Waiting for Godot is certainly a unique experience that will leave a lasting impression on the viewer. Therefore, the next time you are considering a pleasant evening at the local theatre, instead of going to a mainstream play that gives you a recognised theatrical structure, why not go to an absurdist play. Such plays challenges you in so many ways while forcing you to engage in an active manner with the material that you are witnessing.

~Pádraig O’ Loingsigh

Dear Writers

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thank you note

Dear Writers,

Thank you to everyone who submitted to the 2015 edition of The Ogham Stone! The poems, stories and pieces are in and are currently being read by our editorial team.

We hope to be in contact with all those who submitted to our magazine in due time.

Thank you once again and we will be in touch soon!

Sincerely,

The Ogham Stone Team

The Writing Process

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Writing_Process_Flow_ChartRegardless of your abilities, experience or expertise, the writing process fills most people with apprehension. Writers often ask themselves questions such as how am I going to plan my writing project? In addition, will I be able to form a coherent narrative? Finally, what strategies will I use to proofread my work? Writers need to look at writing not as some sort of destination but as a process. Only by doing, including constant refinement and adaption can writers improve their style. Writing is an individualist act and each writer will use a different approach to writing. In some cases, writers may not be sure of the distinct phases that make up the writing process and it is without doubt helpful for writers to be aware of these stages when indulged in the act of writing.

Stage 1: Structure

Another name for this stage is planning in which the writer will effectively plan what they are going to write. Like all the writing stages, this is an intensive process, which challenges the reader to utilise a wide variety of skills including research, writing, brainstorming ideas and topic formation. Writers who do not pay adequate attention to this stage will have difficultly later in the writing process, as their project will lack direction.

Stage 2: Drafting

Depending on the writer, the drafting stage can be quiet difficult. For many a blank screen fills them with dread as they struggle to get something written down. When this happens, free writing is a useful entry point into your writing. Free writing involves writing something. Anything that comes into your head write it down be it your shopping list for tomorrow, a schedule of the bills that you have to pay. This may seem a pointless exercise and individuals may ask what does this have to do with my History essay? However, the more you write regardless of the topic, the more ideas it will stimulate. The key point to this stage is that drafting is a fluid stage that you will be modifying at a later stage. There is no fixed number of drafts that a writers need to go through in order to produce a credible piece of work. All that writing critics can say on this is that it takes as many drafts as the writer believes necessary albeit within the time constraints of the writing project.

Stage 3: Revising

Having produced a series of drafts it is time to bring all your ideas into one piece of writing. In some case, paragraphs and ideas that you thought were applicable will no longer be necessary. In some case, this stage will highlight deficiencies in the writer’s draft, which will require further development. Linking paragraphs is a crucial part of writing and this is an area, which writers need to look at in the revising stage of the writing process. “Do my paragraphs make sense?” If so, “Are they in the correct order or do I need to switch them around?” Questions like these are important to consider, as they will stimulate the writer into deeper refection concerning their writing.

Stage 4: Proofreading

As will all stages in the writing process this is a crucial phase. However, in many cases writers in the proofreading stage can overlook this exercise. Having completed an ardours writing task, some writer may fall into the trap of complacency in the proofreading stage. However, without due attention in terms of proofreading an excellent piece of writing can suffer. Writer need to address Spelling errors, grammatical mistakes, punctuation, presentation, and capitalisations in this stage. If not an A, paper can quickly turn into a mediocre B at best. A major problem with the proofreading stage is that the writer is overly accustomed to the work. Writers cannot see errors which other can because of their closeness to the project. Therefore, a productive method of proofreading is to give your work to friend, peer, or family member to read through. Because if their detachment to the writing they are more likely to pick out error in the work. Finally, reading aloud is a productive proofreading exercise because verbalising the work will help the writer to recognise any errors in terms of sentence coherence and meaning.

Remember writing is a process so keep writing and best of luck. Most of all enjoy!

~By Pádraig Ó Loingsigh

Calling all Non-Fiction Writers!

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nonfiction-820-3001The Deadline has been extended to 12th of November! So Submit to The Ogham Stone!!

We’ve received the largest amount of submissions EVER and they are still coming in! If you want to make history with us then send us your creative non-fiction!

Submit your writing to us before the NEW deadline of November 12th. Check out our submissions page for all the details: https://theoghamstoneul.wordpress.com/submit/

Go on — write about real life!