Truth, Fiction and my Grandmother’s Diary

4892370217_0ee2dee629_zThe truth is a strange thing in fiction. We students of the MA in Creative Writing are becoming familiar with the idea that fiction needs to be more believable than reality – that grey, unfathomable world.

I imagine most writers see the fictional world as superior to the real one. We are closer to our characters than to the people we touch and see. Fiction’s truth comes from empathy; whereas reality’s truth comes from fact and we would much rather empathise than be knowledgeable.

And, of course, every act of writing is an act of fictionalizing – that passing through language into the world of subjectivity. And this is the main reason truth eludes not only fiction writers but everyone who speaks or even sees; all of us subjecting the world to interpretation: passing it through the medium of language and the soul.

But that does not mean we don’t owe a duty to the truth, or at least to the capital ‘t’ ‘Truth’ when we are writing fiction.

It is (actually) easy to dismiss reality when you hear about the man who woke up at his own funeral or when the woman next door has a baby without ever knowing she was pregnant or when you run into your first cousin walking down the street in Kolkatta. The joke: “you couldn’t write this stuff!” becomes mantra, because the reality is simply not that believable.

But the best writers haven’t lost sight of truth and are not afraid of it, no matter how ridiculous it is. They know how to tell all of it and tell it slant.

My grandmother always kept a Diary. Sometimes an entry would just be a word or two: “Mary’s debs” and other times there would be a full entry recounting a day trip to Dun Laoghaire, the first day of a new job, thoughts, feelings, hopes for the future and so on. It’s not always proper to read someone’s (secret! shh!) diary but I do remember sitting in my Grandmother’s living room once and she had her hands folded on her lap as my aunt read out an entry where her daughter moves to France. We were wide-eyed with intrigue; pleased to be included in this secret world. And my grandmother didn’t mind much, all those years later.

And the intrigue that most people have for these (secret! shh!) documents made me think about the truth and the ways in which we release our private little truths. Because I think diaries are important. I think they can help us unravel our confusion about the world. And I think people don’t keep diaries enough these days. We are consuming media at an extreme rate: we blog, we create profiles and persona and characters for ourselves. We instagram our photos and filter them and fictionalize our lives. But we are losing touch with the things that bring us close to who we are.

Writers who keep diaries know themselves. They write the truth about themselves in ugly ways. Anyone who’s ever written a diary entry will know how it feels to read back years later and cringe. But the cringe factor is invaluable when it comes to fiction. Writers who keep diaries write fiction which expresses an intangible truth; a cringey truth; a truth which makes readers say things like: “is this about you?” which, no matter how frustrating, is a huge compliment.

~Niamh Donnelly

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Flash Fiction Wanted

flash-fictionDon’t forget that our editors here at The Ogham Stone are interested in all types of great writing, and they know that sometimes the best things come in the smallest packages.

Made famous by Ernest Hemingway’s short-short story ‘For sale: Baby shoes, never worn’, flash fiction is increasingly popular, with thousands of national and international competitions each year. The concept is about maximising the impact while minimising the word count, and it can make for some powerful fiction.

Can you tell a great story in just 250 words? Do you have a short and sharp piece of fiction in your portfolio?

If so, submit your piece to us before the deadline of November 2nd. Check out our submissions page for all the details: https://theoghamstoneul.wordpress.com/submit/

Go on…flash your fiction in our direction!

Call for Submissions

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If you’ve got words or pictures, we want them!

The Ogham Stone, the University of Limerick’s literary and visual arts journal invites all writers and artists to submit work for a stunning publication due out next February.

M.A students in Creative Writing and M.A students in English have come together to mastermind this journal, which they promise will be cutting edge. Already they have bagged new work by Donal Ryan, author of The Spinning Heart, to feature in this edition of The Ogham Stone and Joseph O Connor will provide the forward.

There is no time to delay. Closing date for submissions is 2nd November, 2014.

E-mail your prose, poetry and non-fiction to oghamstoneul@gmail.com

For full submission guidelines, see https://theoghamstoneul.wordpress.com/submit/

Go on – you know you want to!