Truth, Fiction and my Grandmother’s Diary

4892370217_0ee2dee629_zThe truth is a strange thing in fiction. We students of the MA in Creative Writing are becoming familiar with the idea that fiction needs to be more believable than reality – that grey, unfathomable world.

I imagine most writers see the fictional world as superior to the real one. We are closer to our characters than to the people we touch and see. Fiction’s truth comes from empathy; whereas reality’s truth comes from fact and we would much rather empathise than be knowledgeable.

And, of course, every act of writing is an act of fictionalizing – that passing through language into the world of subjectivity. And this is the main reason truth eludes not only fiction writers but everyone who speaks or even sees; all of us subjecting the world to interpretation: passing it through the medium of language and the soul.

But that does not mean we don’t owe a duty to the truth, or at least to the capital ‘t’ ‘Truth’ when we are writing fiction.

It is (actually) easy to dismiss reality when you hear about the man who woke up at his own funeral or when the woman next door has a baby without ever knowing she was pregnant or when you run into your first cousin walking down the street in Kolkatta. The joke: “you couldn’t write this stuff!” becomes mantra, because the reality is simply not that believable.

But the best writers haven’t lost sight of truth and are not afraid of it, no matter how ridiculous it is. They know how to tell all of it and tell it slant.

My grandmother always kept a Diary. Sometimes an entry would just be a word or two: “Mary’s debs” and other times there would be a full entry recounting a day trip to Dun Laoghaire, the first day of a new job, thoughts, feelings, hopes for the future and so on. It’s not always proper to read someone’s (secret! shh!) diary but I do remember sitting in my Grandmother’s living room once and she had her hands folded on her lap as my aunt read out an entry where her daughter moves to France. We were wide-eyed with intrigue; pleased to be included in this secret world. And my grandmother didn’t mind much, all those years later.

And the intrigue that most people have for these (secret! shh!) documents made me think about the truth and the ways in which we release our private little truths. Because I think diaries are important. I think they can help us unravel our confusion about the world. And I think people don’t keep diaries enough these days. We are consuming media at an extreme rate: we blog, we create profiles and persona and characters for ourselves. We instagram our photos and filter them and fictionalize our lives. But we are losing touch with the things that bring us close to who we are.

Writers who keep diaries know themselves. They write the truth about themselves in ugly ways. Anyone who’s ever written a diary entry will know how it feels to read back years later and cringe. But the cringe factor is invaluable when it comes to fiction. Writers who keep diaries write fiction which expresses an intangible truth; a cringey truth; a truth which makes readers say things like: “is this about you?” which, no matter how frustrating, is a huge compliment.

~Niamh Donnelly

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Calling all Poets!

2070337_origOnly 12 more days to submit to the second edition of The Ogham Stone. The editors here are getting restless for some jaw-dropping poetry and we want it from you!

From Prose to Haikus and even poems that rhyme, send up to three of your favorites and we’ll do the rest.

 Submit your poems to us before the deadline of November 2nd. Check out our submissions page for all the details: https://theoghamstoneul.wordpress.com/submit/

Go on…dazzle us!

Colum McCann Due to Visit UL

81FuRfDpc+L._SL1500_Creative Writing at UL and Narrative 4 present

IMPAC AWARD-WINNING NOVELIST

COLUM McCANN

Author of Let the Great World Spin

INTRODUCING NARRATIVE 4 IRELAND

Wednesday, November 5, 2014

5pm – 6pm

Millstream Common Room, University of Limerick

with

JOSEPH O’CONNOR: UL Frank McCourt Chair in Creative Writing and Honorary Member, N4

Narrative 4 (N4) is a global organisation that fosters empathy by breaking down barriers and shattering stereotypes through the exchange of stories. Headed by the world’s most influential artists, educators, students and community advocates, N4 is committed to developing the next generation of empathetic leaders and citizens.

Originally founded by over 100 writers from around the world, including Michael Ondaatje, Gabriel Byrne, Ian McEwan, Sting, Chimamanda Adichie, Michael Cunningham and Edna O’Brien. The organisation is based on the simple idea that by knowing the story of another, we are able to better understand each other. When listening to stories, we suspend argument, engage our emotions, and, walking in the shoes of another, experience compassion.

N4 currently promotes stories as an agent of change and a framework for understanding by:

  • Creating a working arts leadership network by regularly convening a diverse group of authors and other advisors who are leaders in their field to exchange ideas
  • Offering N4 designed and supported accreditation workshops in order to effectively roll out the Narrative 4 model internationally
  • Presenting story-based art experiences direct to the public(during literary festivals, author events, writing workshops, songwriter performances, and more)
  • Partnering with N4 advisors, community leaders and humanistic organizations from around the world to create a “boomerang” effect, presenting their work to audiences everywhere, while extending the work of N4 to their communities

Please join us for a reception and public interview with Colum McCann at the Millstream Common Room, University of Limerick, Wednesday November 5th, 5 pm – 6 pm.  [rsvp to claire.ryan@ul.ie by Monday 3rd November]